<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Verena Gründhammer]]></title><description><![CDATA[Verena Gründhammer]]></description><link>https://www.verenagrundhammer.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Thu, 16 Apr 2026 08:10:11 GMT</lastBuildDate><atom:link href="https://www.verenagrundhammer.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[CHOCKWIRKUNG IN MODERN VISUAL CULTURE]]></title><description><![CDATA[VIDEO ART AND PAINTING BETWEEN SPEED AND CONTEMPLATION In my work Chockwirkung , I explore how film editing can recreate the sense of “shock” to which contemporary viewers have become accustomed. By experimenting with rapid cuts and visual disruptions, I examine how our perception has adapted to increasingly intense audiovisual stimuli. The piece was nominated for the 2013 Gran Geyser Art Prize in the Audiovisuals category in Spain. The concept of “choc” (or “shock”) entered cultural theory...]]></description><link>https://www.verenagrundhammer.com/post/chockwirkung-in-modern-visual-culture</link><guid isPermaLink="false">69c26c2b69ed8cb882ad5442</guid><pubDate>Tue, 24 Mar 2026 11:23:28 GMT</pubDate><dc:creator>Verena Gründhammer</dc:creator></item></channel></rss>